Our inspiration

What we keep,
keeps us.

A family collection. A legacy carried forward.

Read the story

Select a quilt to explore its original photograph.

Gallery artwork: an imagined setting inspired by the family quilts.
View the original photographs by Jim Tharpe using the quilt labels above.

By Brother Carlton Winfrey · The Seattle Times

The original story

A Seattle man’s 19th-century quilts tell our story of slavery and freedom

By Brother Carlton Winfrey

The Seattle Times · Opinion
Originally published December 8, 2023

Jim Tharpe standing with folded arms in front of a large red, gold and ivory quilt hung on a brick wall.
Jim TharpePhotograph: Carlton Winfrey / The Seattle Times

From plantations and farms in Kentucky and Tennessee, Mollie Barnes had a story to tell and a message to convey.

Her story started in the late 1850s, when she was enslaved, and continued when she was a newly freed woman. Yet it wouldn’t be fully told until decades later, through her quilts and the African American tradition of oral history, spread through generations of her family. Her message was to enslaved people seeking freedom and those already free, and to her children, and their descendants; those who would be born free decades after she died. Those descendants would spread their wings across America, including to Seattle.

Now Jim Tharpe bears the story and messages left by his great-great grandmother in the form of 12 quilts she created. The Seattle man is on a mission to ensure the tale and legacy will educate and enrich thousands for decades to come.

More than 150 years have passed since Mollie made those colorful works of fabric art. At 76 and with no children, Tharpe is the last in the family to be trusted with the precious heirlooms. His dream is to create a traveling exhibit to share the quilts with the entire country. After he’s gone, he wants the collection to remain intact so people can learn the story of his family and what it says about America’s history.

Mollie’s story is one that’s all too familiar for Black families, like mine, who can trace their roots back to slavery. It’s a story of brutality, working without pay from sun up until sundown, all while praying for a better day for future generations. And as enslaved people who were once counted as property, it’s a story full of color and intrigue that’s pieced together over time — like a quilt.

The column continues

There is more to this story.

Continue with the complete original column in a dedicated reading view.

Read the complete article

The Seattle Times · Opinion · originally published December 8, 2023

Further research

The thread continues.

Exhibitions, interviews and family records — gathered by the chapter, after Carlton’s column.

  1. 2019La Conner exhibitionPacific Northwest Quilt & Fiber Arts Museum, January–April 2019, from a museum-submitted announcement.
  2. 2021Tacoma Community CollegeThe Hartsfield Family Quilt Exhibit, January–February 2021, with a recorded interview.
  3. 2023The Seattle Times columnBrother Carlton Winfrey’s column, published December 8, 2023 — the story on this page.
  4. 2024–25Ms. Molly’s VoiceColumbia Gorge Museum, June 2024–April 2025 per the museum’s current archive.
  5. 2026Seattle program listingA February 2026 Call to Conscience programme lists the collection and a discussion. A listing, not proof the event took place.

Go deeper into the collection

Additional sources

An oval tintype portrait in a decorative frame: a man in a wide-brimmed hat, jacket and light necktie.
A tintype held with the quiltsPhotograph: Jim Tharpe

From the family collection

A face held with the fabric.

The chapter is confirming who is pictured. Until then, this portrait remains unnamed.

Family memory and historical evidence

This section is the chapter’s own research. It is not part of Brother Carlton Winfrey’s column, and nothing in it corrects or extends what he wrote.

Accounts of what particular quilt patterns meant come from the family, as oral history, and are presented that way. The broader claim that quilts carried a shared code along the Underground Railroad is disputed: the National Park Service notes that it rests on no documented first-hand account and is not widely accepted. Family testimony and settled historical evidence are different things, and we keep them apart.

Sources differ on how many quilts the collection holds and on exactly how Jim Tharpe is descended from Mollie Barnes. We say “a multigenerational family collection” and “a descendant” until the family tells us otherwise. An exhibition is not a donation: no reviewed source establishes where the quilts are kept today. Nobody from the family, the museums or The Seattle Times has been asked to take part in Founders’ Day, and none has agreed to.

National Park Service: Underground Railroad questions (opens in a new tab)

Where these dates come from

The 2019 entry is a museum-submitted announcement, not an independent review. Tacoma Community College lists the 2021 exhibition in its own archive. The Columbia Gorge Museum’s current archive gives June 2024–April 2025 for Ms. Molly’s Voice; earlier publicity announced a July 2024 closing date, which we have kept as publication-era context rather than silently replacing. The 2026 entry is a programme listing by the event’s organiser and is not confirmation that the presentation happened or that the quilts were shown.

2019 announcement · TCC past exhibitions · Quiltfolk on family preservation · February 2026 programme

The next thread is yours

What will you carry forward?

A quilt can hold a family’s history. A conversation can help keep it alive. Take a moment with your own memories before you leave the gallery.

Whose story do you want the next generation to know?

Choose a conversation prompt, reflect in your own time, or share a memory through Reflections.

Sources & credits Column: Brother Carlton Winfrey, The Seattle Times, Opinion, originally published December 8, 2023. Photographs: Carlton Winfrey / The Seattle Times; Jim Tharpe, from the family collection, used with his permission. Research sources: Tacoma Community College · OPB · Columbia Gorge Museum · Quiltfolk · Pacific Northwest Quilt & Fiber Arts Museum · National Park Service.

From the family collection

100%

Loading original photograph…

Zoom to inspect. Drag or use arrow keys while zoomed. On touch screens, pinch to zoom.

Original photograph: Jim Tharpe · Family collection

Founders’ Day Week

December 3–6, 2026

Great Northwest District

Registration

Choose your Founders’ Day experience.

Thursday and Saturday are ticketed. Friday’s next thread is in the making, and Sunday’s worship needs no ticket. Whatever you hold lands on one pass, with one QR code for the door.

Already registered? Open your pass

Directions

Where each day takes place.

Tap a venue for the drive, or use the ways below it to take transit or a ride. The forecast appears about two weeks out.

Guest support

How can we help?

Directions, arrival guidance, timing and registration details live on each day’s page and are updated as they are confirmed.